IMDA Graduates

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Rolando Vargas

Rolando Vargas started using video as a means for registering his installations. When Rolando was a fine arts student, his first videos were documents of his previous works. Rolando then realized that the mix between art and documentary was something he needed to explore. Rolando never cared about the relationship between television and video, or the narrative forms of television. He was focused on form. He is interested in the way form functions in time and space, and the direct correlations video has to photography and lighting; for Rolando, video is similar to a collage, you take materials from one context to another and create something new. Because of all this, Vargas has worked with documentary films, video art, installations and sceneography, trying to find a balance between a work as a document, and as a piece of art. Rolando is an Internationally Exhibited Artist and a Fulbright Scholar.

Rolando's exhibitions and awards include

Fulbright Grant UMBC (CO), Recontres Internationales Paris/Berlin/Madrid (FR), Kunstverein Düsseldorf (DE), Transmediale (DE), Kassel documentary film and video Festival (DE), Friesland Media Art Festival (NL), OR Gallery (CA), Zürich Theater Spektakle (CH), Hebel Theater (DE), Wiener Festwochen (AT), 4+4 Days in Motion (CZ), EMAF (DE), Bienal Interamericana de video arte BID (US), 39 Salon Nacional de Artistas (CO), Galería de la Raza (US), ViArt (CO, VE, MX). Rolandos works include: Exiliados en exilio (Documentary film), Automóvil (video art), Witness to the Ruins (Video installation) and Pacificanto (video escenography).