Mark Alice Durant is an artist, writer, and publisher living in Baltimore. He is author of Confessions of a Working Class Artist, Summer of the White Fox, and After, Maya Deren, Choreographed for Camera, 27 Contexts: An Anecdotal History in Photography, Robert Heinecken: A Material History, and co-author of Blur of the Otherworldly: Contemporary Art, Technology, and the Paranormal. His essays have appeared in numerous journals such as Aperture, Art in America, Photograph Magazine, Dear Dave, and many catalogs, monographs, and anthologies including Rania Matar: She, Seeing Science: How Photography Reveals the Universe, and Vik Muniz Seeing is Believing. He has served on the faculties of the School of the Art Institute of Chicago, UCLA, the University of New Mexico, Syracuse University, and the Milton Avery Graduate School for the Arts at Bard College. Durant is publisher / editor of Saint Lucy Books.
He has received grants and fellowships from the National Endowment for the Arts, the Fleishhacker Foundation, the Center for Creative Photography, the Illinois Arts Council, and the MacDowell Colony.
Professor Durant received his B.F.A. from Massachusetts College of Art and M.F.A. from the San Francisco Art Institute.
